{"id":4482,"date":"2022-05-01T13:02:04","date_gmt":"2022-05-01T13:02:04","guid":{"rendered":"https:\/\/vesaniart.com\/en\/?post_type=tribe_events&#038;p=4482"},"modified":"2022-10-02T21:49:21","modified_gmt":"2022-10-02T21:49:21","slug":"selfies-del-pasado-exposicion-de-daniel-garbade-en-el-oratorio-de-san-felipe-neri-de-toledo","status":"publish","type":"tribe_events","link":"https:\/\/vesaniart.com\/en\/exposicion\/selfies-del-pasado-exposicion-de-daniel-garbade-en-el-oratorio-de-san-felipe-neri-de-toledo","title":{"rendered":"&#8220;SELFIES OF THE PAST&#8221; EXHIBITION BY DANIEL GARBADE AT THE SAN FELIPE NERI ORATORY IN TOLEDO"},"content":{"rendered":"<p>The exhibition &#8220;Selfis of the past&#8221; by Daniel Garbade, closes the inaugural exhibition cycle &#8220;Presence and essence&#8221; of the San Felipe Neri Oratory, from September 17 to December 31, 2022.<\/p>\n<p>The oratory of San Felipe Neri is an exceptional setting to move us; an architectural blank canvas, now desecrated, where Garbade reflects on time and its capture, on art as an imperishable presence and essence of its time.<\/p>\n<p>El Greco&#8217;s \u201cLa Trinidad\u201d created for the Santo Domingo de Silos monastery in Toledo and currently in the Prado Museum, with influences from Michelangelo, Tintoreto and D\u00fcrer, and which served as inspiration for Picasso&#8217;s \u201cEl Guernica\u201d; is now also a source of inspiration for Garbade in the show.<\/p>\n<p>Garbade fragments \u201cLa Trinidad\u201d into 15 moving canvases. They are collages of drawings that update the original work, like his famous Toledo sky now recreated by hundreds of moving planes. The living pieces of the collage come off, fall to the ground, escape from the canvas and participate in their time. Thus, the original work is fragmented to take on a new meaning, like the fragmented life of the viewer narrated to reconstruct it, to capture its essence.<\/p>\n<p>The exhibition is completed with photographic collages of old objects, such as mantillas or sabers, with which the artist challenges us to question that it is not the object but its gaze that makes it current or past.<\/p>\n<p>Garbade gives us the opportunity to explore the viewer&#8217;s current relationship with the work of art, demanding greater protagonism, being part of the work, capturing it by including oneself in it. Selfies are therefore now the tool for contemplating art, the new way of approaching it. Selfies are the new souvenir of the artistic experience, and tuning it with filters transforms us into an artist. Selfies as a collage of life, of emotions, of kidnapped and diluted time, where we appropriate everything we desire, and also art.<\/p>\n<p>Thus, during the show, Garbade invites the viewer to take a selfie in front of his work and send it to him, to create together a new work in real time, in constant creation and change, which will be projected in the oratory; being the viewer now, also creator and protagonist of the exhibited work<\/p>\n<p>Because art reinterprets itself over and over again, with different perspectives typical of its time, around essential themes to which no creator is alien: time and the essence of our presence in it.<\/p>\n<p>The oratory is ESSENCE AND Garbade PRESENCE, and together they transport us and transcend from the sacred to the profane, hand in hand with art as necessary spiritual food that transcends its time.<\/p>\n<p>Nuria Delgado, Curator<\/p>\n<p>Director Vesaniart Art Gallery<\/p>\n<p>&nbsp;<\/p>\n<h3>VIDEOS OF THE EXHIBITION<\/h3>\n<p>&nbsp;<\/p>\n<h4>&#8220;GARBADE BEFORE HIS WORK 1&#8221;<\/h4>\n<h4><iframe  id=\"_ytid_98208\"  width=\"1060\" height=\"596\"  data-origwidth=\"1060\" data-origheight=\"596\" src=\"https:\/\/www.youtube.com\/embed\/YQ0CrcCeziQ?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/h4>\n<p>&nbsp;<\/p>\n<h4>&#8220;GARBADE BEFORE HIS WORK 2&#8221;<\/h4>\n<h4><iframe  id=\"_ytid_99028\"  width=\"1060\" height=\"596\"  data-origwidth=\"1060\" data-origheight=\"596\" src=\"https:\/\/www.youtube.com\/embed\/UzavNtgG4q4?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/h4>\n<p>&nbsp;<\/p>\n<h4>&#8220;GARBADE BEFORE HIS WORK 3&#8221;<\/h4>\n<h4><iframe  id=\"_ytid_89284\"  width=\"1060\" height=\"596\"  data-origwidth=\"1060\" data-origheight=\"596\" src=\"https:\/\/www.youtube.com\/embed\/fVEkPVz_6Ks?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/h4>\n","protected":false},"excerpt":{"rendered":"La exposici\u00f3n \u201cSelfis del pasado\u201d de Daniel Garbade, cierra el ciclo expositivo inaugural del Oratorio de San Felipe Neri, del 17 de septiembre al 31 de diciembre de 2022.\r\n\r\nEl oratorio de San Felipe Neri es un marco excepcional para emocionarnos; un lienzo en blanco arquitect\u00f3nico, ahora desacralizado, donde Garbade reflexiona sobre el tiempo y su captura, sobre el arte como presencia imperecedera y esencia de su tiempo. \r\n\r\n\u201cLa Trinidad\u201d del Greco creada para el monasterio de Santo Domingo de Silos de Toledo y actualmente en el Museo del Prado, con influencias de Miguel \u00c1ngel, Tintoreto y Durero, y  que sirvi\u00f3 de inspiraci\u00f3n para \u201cEl Guernica\u201d de Picasso; es ahora tambi\u00e9n fuente de inspiraci\u00f3n para Garbade en la muestra. \r\n\r\nGarbade fragmenta \u201cLa Trinidad\u201d en 15 lienzos en movimiento.  Son collages de dibujos que actualizan la obra original, como su famoso cielo toledano recreado ahora por cientos de aviones en movimiento. Las piezas vivas del collage, se desprenden, caen al suelo, escapan del lienzo y participan de su tiempo. As\u00ed la obra original se fragmenta para cobrar un sentido nuevo, como la vida fragmentada del espectador narrada para reconstruirla, para captar su esencia. \r\n\r\nLa muestra se completa con collages fotogr\u00e1ficos de objetos antiguos, como mantillas o sables, con los que el artista nos reta a cuestionar que no es el objeto sino su mirada, lo que lo hace actual o pasado.\r\n\r\nGarbade nos brinda la oportunidad de explorar la relaci\u00f3n actual del espectador con la obra de arte, exigiendo mayor protagonismo, formar parte de la obra, capturarla incluy\u00e9ndose en ella. Los selfis son pues ahora la herramienta de contemplaci\u00f3n del arte, la nueva forma de aproximarse a el.  Los selfis son el nuevo souvenir de la experiencia art\u00edstica, y tunearlo con filtros nos transforma en artista. Los selfis como collage de vida, de emociones, de tiempo secuestrado y diluido, donde nos apropiamos de todo lo deseado, y tambi\u00e9n del arte. \r\n\r\nAs\u00ed, durante la muestra Garbade invita al espectador a hacerse un selfi ante su obra y envi\u00e1rselo, para ir creando entre todos una nueva obra en tiempo real, en constante creaci\u00f3n y cambio, que ser\u00e1 proyectada en el oratorio; siendo el espectador ahora, tambi\u00e9n creador y protagonista de la obra expuesta\r\n\r\nPorque el arte se reinterpreta as\u00ed mismo una y otra vez, con distintas miradas propias de su tiempo, en torno a temas esenciales al que ning\u00fan creador es ajeno: el tiempo y la esencia de nuestra presencia en \u00e9l. \r\n\r\nEl oratorio es ESENCIA Y Garbade PRESENCIA, y juntos nos transportan y trascienden de lo sagrado a lo profano, de la mano del arte como alimento espiritual necesario que trasciende su tiempo.  \r\n\r\n\r\nComisaria, Nuria Delgado\r\nDirectora Vesaniart Art Gallery","protected":false},"author":1,"featured_media":4838,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","_links_to":"","_links_to_target":""},"tags":[],"tribe_events_cat":[5],"_links":{"self":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/tribe_events\/4482"}],"collection":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/comments?post=4482"}],"version-history":[{"count":19,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/tribe_events\/4482\/revisions"}],"predecessor-version":[{"id":4944,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/tribe_events\/4482\/revisions\/4944"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/media\/4838"}],"wp:attachment":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/media?parent=4482"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/tags?post=4482"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=4482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}