{"id":213,"date":"2018-01-16T15:08:59","date_gmt":"2018-01-16T15:08:59","guid":{"rendered":"https:\/\/vesaniart.com\/en\/?page_id=213"},"modified":"2022-12-10T22:29:34","modified_gmt":"2022-12-10T22:29:34","slug":"curriculum-bio","status":"publish","type":"page","link":"https:\/\/vesaniart.com\/en\/artistas\/jose-antonio-diazdel\/curriculum-bio","title":{"rendered":"Curriculum \/ Bio"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/4″][vc_single_image image=”934″ img_size=”full” alignment=”center” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n

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JOSE ANTONIO DIAZDEL
\n(Malaga, Spain 1954)<\/p>\n

 <\/p>\n

The Paintings of Jos\u00e9 Antonio Diazdel can be classified within the motif of expressionism.<\/span><\/p>\n

His characters, that we look at though the shadows, curiosity, defiance, or derision are\u00a0<\/span>the main point of attention. But our intuition tells us there is more.<\/span><\/p>\n

If we can eliminate (if modern tech allows it) we find a perfectly constructed abstraction\u00a0<\/span>that there is something more. But this trick only should be transitory, because we need both elements.<\/span><\/p>\n

The looks of the characters and the space in which they go or that which they flee.<\/span><\/p>\n

 <\/p>\n

SOLO EXHIBITIONS<\/p>\n

1979 \u2013 Museum Casa de Colo\u0301n. Las Palmas de Gran Canaria. (Spain)
\n1980 \u2013 Galeri\u0301a Berruguete. Burgos. (Spain)
\n1984 \u2013 Caja de Ahorros de Ceuta. Ceuta. (Spain)
\n1985 \u2013 Casa del Consulado. Ma\u0301laga. (Spain)
\n1989 \u2013 Museo Cruz Herrera. La Li\u0301nea de la Concepcio\u0301n. (Spain)
\n1990 \u2013 Galeri\u0301a Kreisler. Madrid. (Spain) 1991
\n\u2013 Galeri\u0301a Ivars. Valencia. (Spain)
\n\u2013 Galeria Joan Marc. Ibiza (Spain)
\n1993 \u2013 Sala Gaudi\u0301. Barcelona. (Spain)
\n1994 \u2013 Galeri\u0301a Van Gestel. Marbella. (Spain)
\n1995 \u2013 Galeri\u0301a Gerard Bredson. Beyren (Luxemburgo).
\n\u2013 Galerie Lisette Alibert. Paris (France).
\n1996 \u2013 Merril Chase Gallery. Chicago, Illinois (USA).
\n1997 \u2013 Sala Diputacio\u0301n Provincial.\u201dDiscos dedicados\u201d. Ma\u0301laga (Spain)
\n\u2013 Galerie Lisette Alibert. Paris (France)
\n1998 \u2013 Galerie Maximillian. Aspen, Colorado (USA).
\n\u2013 Art Gallery 7. Osaka (Japan).
\n\u2013 Galerie Lisette Alibert, \u201cTertia in Lutetia\u201d. Paris (France)
\n\u2013 Gallery Lara. Chicago, Illinois (USA)
\n1999 \u2013 Galerie Lisette Alibert.\u201dEpistola orum\u201d, Paris (France).
\n\u2013 Galerie Bru\u0308cke. Tokyo (Japan).
\n\u2013 Galerie Wam. Caen (France).
\n2002 \u2013 Portland Gallery. London (UK)
\n2004 \u2013 Antilope Art Forum. Antwerpen (Belgium)
\n\u2013 Centro Cultural Provincial, \u201cHablando con las jirafas\u201d, Ma\u0301laga (Spain)
\n\u2013 Art Gea. Torremolinos. (Spain)
\n\u2013 Antilope Art Gallery. Lier (Be\u0301lgium)
\n2006 \u2013 Fine Art Expression. Chicago, Illinois (USA)
\n\u2013 Galerie du Chatel.\u201dSamurais\u201d, Yevre (France)
\n\u2013 Galeria Benedito. Ma\u0301laga (Spain) 2008
\n\u2013 Galerie Lisette Alibert. Paris. (France).
\n\u2013 Galerie du Chatel. Yevre (France) 2009
\n\u2013 Galerie De Key. Nuenen (Holland).
\n\u2013 Casa Fuerte de Bezmiliana. Rinco\u0301n de la Victoria. (Spain) 2011
\n\u2013 Galeri\u0301a Nuevoarte.\u201dCuanticos\u201d, Sevilla. (Spain)
\n\u2013 Galerie Lisette Alibert. Paris (France)
\n2012 \u2013 A&E Gallery.\u201dCon papeles\u201d, New Iberia. Louisiana (USA)
\n2013 \u2013 Sala de Exposiciones El Porto\u0301n.\u201dEntenguerengue\u201d, Al- hauri\u0301n de la Torre (Spain)
\n\u2013 Galerie Lisette Alibert. Paris. (Francia)
\n2014 \u2013 Radio Finlandia.\u201dOn air\u201d, Benalma\u0301dena.(Spain)
\n\u2013 Galerie du Chatel. Yevre. (Francia).
\n\u2013 Galeria Krabbe.\u201d60 vueltas al sol\u201d, Frigiliana. (Spain)
\n2015 \u2013 ArtUp Gallery. Knokke. (Be\u0301lgica)
\n\u2013 Galerie Lisette Alibert. Paris (Francia)
\n\u2013 Biblioteca Municipal.\u201dCaravanserai\u201d, Alhauri\u0301n el Grande. (Spain)<\/p>\n

2016 -Kunsthuys. Best. (Holand)
\n\u2013 Galeri\u0301a Taller Gravura. \u201cMadera, Papel, Tijera\u201d. Ma\u0301laga (Spain)<\/p>\n

2018 El Estudio de Ignacio del Rio. “Darchor”. M\u00e1laga. (Spain)<\/p>\n

– Kunstuys Best. Best. (Holand)<\/p>\n

– Sala de Exposiciones El Port\u00f3n. “De Arboribus”. Alhaur\u00edn de la Torre. (Spain)<\/p>\n

2019\u00a0Mojdeh Art Gallery. Tehran. (Ir\u00e1n)<\/p>\n<\/div>\n

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 <\/p>\n

PUBLIC COLLECTIONS<\/p>\n<\/div>\n<\/div>\n

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Biblioteca Nacional. Madrid. (Spain)
\nDiputacio\u0301n Provincial de Ma\u0301laga. (Spain)
\nUrpo Lahtissen Taidesa\u0308tio\u0308n Kokoelma. Tampere (Finland)
\nCentro de Arte Contempora\u0301neo. Ma\u0301laga. (Spain)
\nMuseo Cruz Herrera. La Li\u0301nea de la Concepcio\u0301n.
\nUniversidad de Ma\u0301laga. (Spain)
\nKrannert Art Museum. Chicago, Illinois (USA).
\nAmnisti\u0301a Internacional. Madrid. (Spain)
\nAyuntamiento de Ceuta. (Spain)
\nColeccio\u0301n Unicaja. Ma\u0301laga. (Spain)
\nU.S.G People. Antwerpen (Be\u0301lgica).
\nMuseo Taurino. Logron\u0303o. (Spain)
\nCalcografi\u0301a Nacional. Madrid (Spain)
\nMuseo de la Solidaridad Salvador Allende. Santiago (Chile).
\nAyuntamiento de Alhauri\u0301n de la Torre. (Spain)
\nMuseo del Grabado Espan\u0303ol Contempora\u0301neo. Marbella. (Spain)<\/p>\n

 <\/p>\n

ART FAIRS<\/p>\n

ARTIST\u00a0 International Contemporary Art Fair. 26\/2-1\/3 Madrid, Spain<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/4″][vc_single_image image=”934″ img_size=”full” alignment=”center” qode_css_animation=””][vc_empty_space][\/vc_column][vc_column width=”3\/4″][vc_column_text] JOSE ANTONIO DIAZDEL (Malaga, Spain 1954)   The Paintings of Jos\u00e9 Antonio Diazdel can be classified within the motif of expressionism. His characters, that we look at though the shadows, curiosity, defiance, or derision are\u00a0the main point of attention. But our intuition tells us there is more. If we can eliminate (if modern tech allows it) we find a perfectly constructed…","protected":false},"author":1,"featured_media":0,"parent":211,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/pages\/213"}],"collection":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/comments?post=213"}],"version-history":[{"count":26,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/pages\/213\/revisions"}],"predecessor-version":[{"id":5088,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/pages\/213\/revisions\/5088"}],"up":[{"embeddable":true,"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/pages\/211"}],"wp:attachment":[{"href":"https:\/\/vesaniart.com\/en\/wp-json\/wp\/v2\/media?parent=213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}